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Carlo Ricci

Sign up to get Tom’s FREE Intro to Comedy Workshop


Carlo Ricci

Red Bull    Lucasfilm    PIXAR    American Zoetrope    MIRAMAX   HBO  Columbia Pictures    Constantin Film

Spring Into Summer Writing Your Passion Project

Do you want to write your next project but haven’t gotten around to it? Or did you get started, and then put it down?

I know how to jumpstart you into writing your next script or book with skill, confidence and style. I’ll be your story mentor, and I’ve got a 100% success rate supporting fiction and non-fiction writers to get their stories onto the page!

How do we work together? You’ll either submit a 1-3 page brainstorm about the project your project or simply tell me about it. I’ll then design a 3-Phase Story Development Program unique to your needs. In Phase 1, we’ll be gathering and organizing the source material; in Phase 2, we’ll do a first draft story outline by defining the archetypal structure, character orchestration and themes; in Phase 3, we’ll finalize the story outline that will keep you inspired and on track to bring your next project to fruition.

Your commitment? Over a four-week period, we will work one-on-one and I will guide you through two 60-minute recorded sessions per week. Between sessions, I’ll have our recorded sessions transcribed and will be shaping and developing your source material — spending an additional 4 hours each week — so you can finally spring into summer writing your passion project.

The fee for this 4-week Story Development Program is $1795 but if you sign up now you can be writing your next project this summer for $1495. My regular hourly fee is $225/hour.

The Storytelling Workshop at Disney’s Maker Studios

What the Best Female Protagonists Teach us About Life

While co-teaching “The Heroine’s Journey: Writing and Selling the Female-driven Screenplay” with Pamela Gray — who wrote the scripts for “A Walk on the Moon” with Diane Lane, “Music of the Heart” with Meryl Streep and “Conviction” with Hilary Swank — we realized that...

How Storytellers Tell the Most Heartwarming Stories

En route to Sundance, I was thinking about last year’s favorite, Me and Earl and the Dying Girl, and how storytellers tell the most heartwarming stories like Little Miss Sunshine, Juno, Billy Elliot, Six Feet Under, and Sense and Sensibility.  What do all of these...

24 Things to Know About Thrillers

Here are 24 things to know about crafting thrillers:   1) Thriller is a combination of crime and horror stories where a detective or an average person acting like detective is victimized and in great danger. (Note: see John Truby on thriller). 2) The stakes for...

What You Need to Know About Human Comedies (or dramedies)

These are the essential elements of human comedies, or “dramedies”:   These family dramas with comic overtones tend to be “feel good” movies that also have depth and meaning. The comedy tends to be less overt as the humor comes from a deep empathy for characters...

Tom has a keen sense of the “big picture.” His insight allowed us to envision structure and effective character arcs in the early stages of development — important assets in creating a great screenplay.

Ashwin Rajan

Producer, Blinding Edge Pictures

Tom has the amazing ability to guide writers to a place of enhanced creativity.

Michael Lehmann

Director, True Blood, The Larry Sanders Show

Tom has a very unique approach to story and I’m extremely grateful to have had his guidance.

Jennifer Arnold

Writer-Director, A Small Act (2011 Emmy Nomination, Sundance Jury Prize nominee)

Attending Tom’s workshop was a creative turning point for me as a documentary filmmaker.

Nimisha Mukerji

Director-Producer, 65 Red Roses

I think I learned more about storytelling from Tom at the workshop than I learned in my last 10 years stumbling through my career.

Scott Gracheff

Director, The Rugby Player

Tom helped me focus on possibilities instead of limitations. His qualities as a guide cannot be valued enough, not to mention that he is a great guy, and tremendous fun to work with!

Reto Caffi

Writer-Director, On the Line (Academy Award Nominee, Best Short Film)

I would HIGHLY recommend Tom to anyone involved in visual storytelling.

Stephen Philipson

Editor, Hannibal, Prom Night in Mississippi

The first thing I did when I began writing was to pick up the phone and call Tom. I can’t think of a more insightful and inspiring “wing man”. He truly guides me to do my best work.

Daniel Stamm

Writer-Director, The Last Exorcist

Tom is a master in working with dichotomies: logic and emotion, brain and heart, body and soul… my characters came alive as we found the optimal structure for my script.

Gustav Deutsch

Writer-Director, Shirley: Visions of Reality

Collaborating with Tom has been absolutely essential for me and, aside from his sheer intellectual input, so much fun!

Doris Doerrie

Writer-Director, Nobody Loves Me, Enlightenment Guaranteed

Tom’s extraordinary guidance on my scripts for “Nowhere in Africa” and “Beyond Silence” enriched my award-winning films immensely.

Caroline Link

Writer-Director, Nowhere in Africa (Academy Award - Best Foreign Film)

Tom is the best: full stop!

Daniel Speck

Best-selling Author, Bella Germania

Tom’s wisdom, inspiration, and deep understanding of character and story continue to guide me on each screenwriting journey.

Pamela Gray

Screenwriter, Conviction, Music of the Heart, A Walk on the Moon

Working with Tom Schlesinger is worth its weight in gold!

Paul Saltzman

Filmmaker, Prom Night in Mississippi, featuring Morgan Freeman