Best-selling author Tommy Jaud in session with Tom
Story Coaching for Writers
Do you have story problems in your screenplay, book or film that you’d like to solve now?
As your coach, I guarantee that you will take a quantum leap in the next edit of your film or your next draft of your screenplay or book.
Your writing will jump off the page when you have a clear roadmap to follow and write from your intuition.
You’ll follow in the footsteps of writers I’ve worked with who have published their novels and who’s films have won Academy Awards, premiered at Sundance and were broadcast on Netflix and HBO.
“Tom’s guidance on ‘Nowhere in Africa’ was extraordinary.”
Caroline Link, writer-director, Nowhere in Africa (Academy Award)
What is the result?
- You’ll have a new outline with a winning structure and character orchestration.
- You’ll jump into the first or next draft of your script, book or film edit.
- You’ll experience a much greater level of skill and confidence.
“Tom guides me on every screenwriting journey.”
Pamela Gray, screenwriter, Conviction (Hilary Swank), Music of the Heart (Meryl Streep), A Walk on the Moon (Diane Lane)
I love coaching and I’m happy to connect for a complementary 20-minute session. Contact me.
“Tom is the best, full stop!”
Daniel Speck, best-selling novelist, Bella Germania and Picolla Sicilia
TOM SCHLESINGER – BIO
I was on a pre-med scholarship at the University of Illinois when I first saw Midnight Cowboy, The Godfather, One Flew Over the Cuckoo’s Nest, Star Wars, and Close Encounters of the Third Kind. These transformational films astonished me; they spoke to something deep inside and changed my life. I had found my lifework: to be involved in the magic of storytelling.
So, I switched from pre-med to creative writing, and graduated with a Master’s Degree in Film from UCLA. I optioned my first two screenplays on an amazing early ride, sharing my scripts with Warren Beatty, Steve McQueen and Clint Eastwood. But when the scripts weren’t made into films I went into despair, wound up working as a bellman in a downtown Chicago hotel, and pondered whether film school had been a huge mistake. I confessed to a fellow bellman over a cold beer that while I loved storytelling, I didn’t think I’d ever be able to follow my dream and make movies. He suggested I come with him to a lecture that very night.
The speaker was author Joseph Campbell, featuring his book ‘Hero with a Thousand Faces’, and that night triggered a life-long passion for the power of story to affect positive change in society. I was inspired to create social impact entertainment, and mythologist Jean Houston, a renowned expert on the psychology of creativity, became my mentor. Through studies with Jean, I made the single most important discovery of my storytelling career: that what we’re experiencing emotionally as we’re writing is what the characters are experiencing emotionally – and ultimately what the audience experiences when watching the film. Realizing that writers experience a parallel rite of passage with their characters led me to begin teaching human potential workshops at UCLA, the Esalen Institute, the California Institute of Transpersonal Psychology, and the Academy of Art in Munich.
I started teaching at the National Film School in Munich and began writing, teaching and consulting in Europe, North America and North Africa. My first two collaborations with filmmaker Carolin Link in Germany resulted in nominations for two Academy Awards, with ‘Nowhere in Africa’ winning the Best Foreign Film Oscar in 2003.
I co-wrote a film for Columbia Pictures that had the full studio machine behind it, but was a box office disappointment. I realized it was time to go deeper into my craft and in that exploration, I started my journey into documentary films. I was honored to work with renowned filmmaker Paul Saltzman on “Prom Night in Mississippi” featuring Morgan Freeman, and “The Last White Knight,” featuring Harry Belafonte – and both are still having great social impact, internationally.
So, I’d found my niche: combining narrative strategies with true stories. As if on cue, the next two films I’d be writing were powerful, transformational stories based on true events. ‘Thief River’, the ‘Hoosiers’ of hockey, and ‘Second Line West’, the story of a single mother of four, who saved the lives of a number of troubled souls by guiding them toward spiritual solutions.
As a result of these fortuitous collaborations, I‘ve taught transformational storytelling to over 10,000 industry professionals at Pixar, Lucasfilm, Deluxe Studios and the AFI.
The Storytelling Workshop at Disney’s Maker Studios
Expert Insights into Storytelling
These are the essential elements of documentary storytelling: Engage the audience with a present time story before revealing the back-story. The present time story engages the audience through the beginning, middle and end of the film. Define the Palette of...
Learning how to be great storytellers begins with a paradigm shift, changing your relationship to the stories you’re telling. You tell the best stories when you understand that you, the characters in your story, and your audience are all part of an “echo-system” that...
At an Esalen Institute conference in Big Sur, mythologists like Joseph Campbell and Robert Johnson were trying to come up with a clear, simple definition of “myth”. After several days, they still hadn’t come up with an answer, so they asked Robert Johnson’s young son...
The Future of Storytelling rests on your ability to time travel. When you develop your stories, you are on a parallel emotional journey with the characters in your stories, the same journey the audience will experience. But how do you register this? Being aware of...
The storytelling center for social impact is inside of you. Change and transformation begins with an inner shift of self-perception and by asking: What if you’re not who you think you are? The emotional resonance between you, your characters and your audience is an...
Raymond Chandler wrote great mystery novels like The Big Sleep and Farewell, My Lovely. He also wrote screenplays like “Double Indemnity” and “Strangers on a Train”. Chandler once said, “If you’re telling your story to someone and noticing that you’re losing their...
Tom’s extraordinary guidance on my scripts for “Nowhere in Africa” and “Beyond Silence” enriched my award-winning films immensely.
Tom is the best: full stop!
Tom’s wisdom, inspiration, and deep understanding of character and story continue to guide me on each screenwriting journey.
Working with Tom Schlesinger is worth its weight in gold!
I think I learned more about storytelling from Tom at the workshop than I learned in my last 10 years stumbling through my career.
Tom helped me focus on possibilities instead of limitations. His qualities as a guide cannot be valued enough, not to mention that he is a great guy, and tremendous fun to work with!
I would HIGHLY recommend Tom to anyone involved in visual storytelling.
Tom has a keen sense of the “big picture.” His insight allowed us to envision structure and effective character arcs in the early stages of development — important assets in creating a great screenplay.
Tom has the amazing ability to guide writers to a place of enhanced creativity.
Tom has a very unique approach to story and I’m extremely grateful to have had his guidance.
Attending Tom’s workshop was a creative turning point for me as a documentary filmmaker.
The first thing I did when I began writing was to pick up the phone and call Tom. I can’t think of a more insightful and inspiring “wing man”. He truly guides me to do my best work.
Tom is a master in working with dichotomies: logic and emotion, brain and heart, body and soul… my characters came alive as we found the optimal structure for my script.
Collaborating with Tom has been absolutely essential for me and, aside from his sheer intellectual input, so much fun!