Tom’s extraordinary guidance on my scripts for “Nowhere in Africa” and “Beyond Silence” enriched my award-winning films immensely.

Caroline Link

Writer-Director, Nowhere in Africa (Academy Award - Best Foreign Film)

Tom is the best: full stop!

Daniel Speck

Best-selling Author, Bella Germania

Tom’s wisdom, inspiration, and deep understanding of character and story continue to guide me on each screenwriting journey.

Pamela Gray

Screenwriter, Conviction, Music of the Heart, A Walk on the Moon

Working with Tom Schlesinger is worth its weight in gold!

Paul Saltzman

Filmmaker, Prom Night in Mississippi, featuring Morgan Freeman

Tom has a keen sense of the “big picture.” His insight allowed us to envision structure and effective character arcs in the early stages of development — important assets in creating a great screenplay.

Ashwin Rajan

Producer, Blinding Edge Pictures

Tom has the amazing ability to guide writers to a place of enhanced creativity.

Michael Lehmann

Director, True Blood, The Larry Sanders Show

Tom has a very unique approach to story and I’m extremely grateful to have had his guidance.

Jennifer Arnold

Writer-Director, A Small Act (2011 Emmy Nomination, Sundance Jury Prize nominee)

Attending Tom’s workshop was a creative turning point for me as a documentary filmmaker.

Nimisha Mukerji

Director-Producer, 65 Red Roses

The first thing I did when I began writing was to pick up the phone and call Tom. I can’t think of a more insightful and inspiring “wing man”. He truly guides me to do my best work.

Daniel Stamm

Writer-Director, The Last Exorcist

Tom is a master in working with dichotomies: logic and emotion, brain and heart, body and soul… my characters came alive as we found the optimal structure for my script.

Gustav Deutsch

Writer-Director, Shirley: Visions of Reality

Collaborating with Tom has been absolutely essential for me and, aside from his sheer intellectual input, so much fun!

Doris Doerrie

Writer-Director, Nobody Loves Me, Enlightenment Guaranteed

I think I learned more about storytelling from Tom at the workshop than I learned in my last 10 years stumbling through my career.

Scott Gracheff

Director, The Rugby Player

Tom helped me focus on possibilities instead of limitations. His qualities as a guide cannot be valued enough, not to mention that he is a great guy, and tremendous fun to work with!

Reto Caffi

Writer-Director, On the Line (Academy Award Nominee, Best Short Film)

I would HIGHLY recommend Tom to anyone involved in visual storytelling.

Stephen Philipson

Editor, Hannibal, Prom Night in Mississippi